1.
Pompeii -
Bastille
Mise-en-scene:
Locations: Rooftop, abandoned building, dark empty streets,
shop, Arcade, Mountains, River,
Due to the destroyed streets we can interpret that this song
and music video is about how Pompeii was destroyed by clouds of toxic gas and
hot volcanic ash in 79AD. If people in Pompeii had taken the warning and moved
away they would have been saved from the devastation of 79AD, but they didn’t,
they rebuilt on the rubble of the same situation. Similarly in our lives we
often don’t take the warnings of potential devastation from our “vices” (our
personality and characteristics equivalent to the underlying volcanic activity
of Pompeii) and build on the same rubble (staying in the same life situation)
while continuing our potentially destructive behaviour (our ‘sins’) the way to
save ourselves is to take the warnings and move away, sometimes in a
metaphorical sense or actually changing the way we live our life.
One of the most powerful lines of the song “where do we
begin? The rubble or our sins?” in other words do we just clean up and hide our
messes or do we dig for the root of the problem first? It seems to suggest that
the first option will lead to continued failure and an endless cycle of
destruction.
Props: Bike, drink
Clothing: Black t-shirt, brown leather jacket, black skinny
jeans, and black trainers.
All the clothing of the other characters are quite dark and
dull colours, fits with the theme of a sense of darkness in people lives and
their thoughts.
Camera:
Establishing shot of man on rooftop, zooms into him to show
how we as the audience are going to learn about this characters story of their
dark thoughts.
Long shot of man walking down multiple flights of stairs, it
shows how he is about to embark his journey and so are the audience.
Multiple long shots of the destroyed streets, this allows the
audience to establish the setting and get more of an idea of the meaning of the
song and music video.
Panning shot of man on his bike, this is showing how the
character is travelling through the streets of Pompeii after the devastation
and is trying to figure out how to pick up the ‘rubble’ of the city and his
life.
There are a lot of tacking shots that give the feel that the
audience is following behind the character and watching his journey happen
before them
The camera becomes very rough when the character is running
and it is like the audience are running away with him when he is running in the
music video.
Editing:
Quick cuts from the narrative and the artists singing.
Lip syncing to the song
Sound:
Bastille singing Pompeii
At the beginning there is a diegetic sound of the wind. It
is quite a calming noise, it could represent the calm before the storm.
Theories:
Todorovs narrative theory states how all narratives share a
basic structure that involves a movement from one state of equilibrium to
another. This theory does not link to this music video as there was no
equilibrium clear at the end of the music video or song, there was no solution.
The disequilibrium is the volcanic activity of 79AD and the deeper meaning of
people deciding between ‘rubble’ or our ‘sins.’
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